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From Cooperative Children's Book Center (CCBC)

Tiến reads fairy tales aloud to his Vietnamese-immigrant mother to help her with English. Tiến's mother has been saving money for a trip home to Vietnam to see her own mother. When her mother dies, Tiến's mom finally makes the journey back to Vietnam. Three interconnected strands in this moving graphic novel-Tiến's contemporary life, his mother's trip home and the memories it inspires, and the fairy tales themselves-are delineated by storytelling in three separate color schemes (black on red, black on golden yellow, black on blue). Tiến is in secretly love with his friend Julian, facing homophobia from his Catholic school teachers, and thinking about how to come out to his parents (there isn't a Vietnamese word for "gay"). His mother, who left Vietnam as a refugee, is burdened by both guilt and sadness-at leaving her mother behind, at not making it back before she died. The three fairy tales-The Little Mermaid and German and Vietnamese variants of Cinderella-connect thematically to both Tiến's and his mother's struggles. The overlapping elements from the fairy tales, Tiến's life, and his mom's story make for a rich and rewarding reading experience in this work illuminating how the immigrant experience impacts generations. The fairy tales also prove to be a bridge across generations, one that connects Tiến and his mom as he seeks a way to come out. The author/artist caps this exceptional work with extensive end notes providing insight into his creative process and considerations. (Age 11 and older)

CCBC Choices 2021 © Cooperative Children's Book Center, Univ. of Wisconsin - Madison, 2021. Used with permission.

From Horn Book

January 1, 2021
In this imaginative graphic novel, thirteen-year-old Vietnamese American boy Tin and his Vietnamese-refugee seamstress mother, Hin, have always loved stories, with the two often reading library books aloud while enjoying time together. Nguyen (a comic artist also known as Trungles) delves into the world of Vietnamese fairy tales, including "Cinderella" and "The Little Mermaid" variants. Themes from these works -- parent-child struggles, unrequited love, and the timeless quest to attain one's innermost desires, for example -- are reflected in the versions of the illustrated retellings Tin reads and in his day-to-day life at home and school, including his secret crush on a male classmate. Nguyen's artistry radiates elegance on every page. Pastel shades of red, brown, and purple alternate to signify present, past, and imaginative plot segments. While some panels feature characters in pensive curiosity or profound melancholy, others burst with vibrancy, their exquisite portraits spanning an entire page or across multiple panels. Infused with emotional depth and integrity, this coming-of-age story broadens the range of Vietnamese American creative voices in books for young people.

(Copyright 2021 by The Horn Book, Incorporated, Boston. All rights reserved.)

From Publisher's Weekly

Starred review from October 19, 2020
Tiến Phong, 12, who "speak mostly English," and his mother, Hiến, a refugee who "speak mostly Vietnamese," have long read fairy tales together to bolster Hiến's English. Tiến cherishes this bonding activity, as his mother works long hours as a seamstress. Despite her busy schedule, though, she dreams of taking her son to her hometown in Vietnam to meet her mother. Meanwhile, Tiến struggles to discuss his sexuality with his parents ("The librarian and I couldn't find the word for it in Vietnamese") and navigate his feelings for male best friend Julian, even with the encouragement of best friend Claire. Alternating between Tiến and Hiến, the narrative intertwines Western and Vietnamese fairy tales, including "Tấm Cám"-"our 'Cinderella' "-and a nuanced retooling of Hans Christian Andersen's "The Little Mermaid." Detailed illustrations rendered in split complementary colors cleverly distinguish each story line. Nguyen's poignant debut captures the perspectives of, and essence of the bond between, a parent and child, proving that language-and love-can transcend words. Back matter includes author's notes that delve into personal inspiration, the interplay between immigration stories and fairy tales, and contextualize the illustrations. Final art not seen by PW. Ages 12�"up. Agent: Kate McKean, Howard Morhaim Literary.

From School Library Journal

August 1, 2020

Gr 7 Up-Le Nguyen folds five stories into his narrative. There's Tien, a young teen who's trying to figure out how to tell his parents he's gay while nursing a crush on one of his best friends. Meanwhile, his mother, Helen, struggles to help a sick parent back in Vietnam. Then there are three gorgeous fairy-tale adaptations from around the world, which Tien and his mother like to read together to learn English. The language gap between the two makes Tien wonder how his parents will react if he comes out, but their love for one another resonates throughout the story. Tien's best friends, Claire and Julian, are also an important support system for him. Though there are moments of stress and doubt, everything comes together, all wrapped up in Le Nguyen's sumptuous illustrations and intricate linework. The couture dresses worn by the characters in the fairy tales contrast with Helen's job as a seamstress and the patchwork coat she makes for Tien. Questions of happy endings and sacrifice-the bread and butter of fairy tales-are explored deftly. Notes from the author provide details on his own experience as the child of immigrants who spoke a hybrid language at home. He also includes in-depth information on the fashion and art, which will appeal to close readers of comics. VERDICT A lovely and original take on fairy tales, identity, and culture.-Gretchen Hardin, Bee Cave P.L., TX

Copyright 2020 School Library Journal, LLC Used with permission.

From Booklist

Starred review from July 1, 2020
Grades 8-12 *Starred Review* The magic happens here on every page, the perfection personified by debut author/artist Nguyen's autobiographical homage to the infinite power of storytelling. The opening page ingeniously distinguishes three interwoven narratives with three color palettes: red is the urgent now, about young Ti?n and his mother learning to communicate through the language of fairy tales when difficult conversations can't yet be uttered; brown is the older past, of Ti?n's mother's cleaving journey from war-torn Vietnam to become a U.S. citizen; blue are the stories we tell to help understand, shape, and even save our very lives. Ti?n has a secret he desperately needs to declare, especially to his mother, but she's suddenly called back to Vietnam when her own mother dies. Three parallel stories bind the generations together: mother and son read aloud Alera, a Cinderella-esque story of cross-dressing true love; mother-in-mourning and her elderly aunt recall the fairy godparent-like magic fish; mother-returned and son-in-waiting share a different magic fish, a voiceless mermaid who learns to speak through dance. Such are the stories that will reveal the truth. Even as his panels end, Nguyen's magic continues?as writer, his spare author's note is an articulate reclamation, even reinvention, of the immigrant narrative; as artist, his detailed commentary on illustrative genesis?European, colonial, Asian, American Midwest inspirations?provide both historical and personal revelations.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)